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Daylight from Above Awards
The 2025 Daylight from Above Awards invited entries to showcase the best and most effective naturally top lit architecture through two categories.
For the 2025 Awards, judges considered entries in two categories. Light, Space and Atmosphere rewards new or adapted residential projects that incorporate any VELUX sloped or flat roof window. The Heritage Conservation category invited entries for any historic and heritage buildings that use products from new VELUX Heritage conservation roof window range.
Choose a category below to see winners and commendations for the awards.
Heritage Conservation
This special category recognised the sensitive adaptation of historic and heritage buildings through the introduction of daylight from above. It celebrated the first generation of projects using the new VELUX Heritage conservation roof window range to enhance traditional buildings while respecting their architectural character and cultural value.
Judges assessed entries based on the skill and care with which daylight had been introduced to support the ongoing use and enjoyment of heritage structures. Consideration was given to how natural light enhanced the reading of original features, the protection of significant fabric, and the thoughtful placement of roof windows in response to the building’s form and local context. Successful projects demonstrated how daylight could be used to revitalise historic spaces - improving their function, atmosphere, and long-term sustainability without compromising their integrity.
Winner of Heritage Conservation category
Lower Paradise Mill, by Cymes Conservation
This project impressed judges with its well-judged replacement of the former silk mill’s 26 roof windows. “The sensitive introduction of conservation rooflights has revived the building’s historic relationship with natural light” said Beck, who particularly liked how the new windows are, like the originals, fitted flush with the slate roof.
About Lower Paradise Mill
Lower Paradise Mill, a Grade II listed silk mill built in 1862, stood as one of the last surviving examples of Macclesfield’s industrial heritage — complete with working Jacquard looms and a distinctive attic designed to admit natural light while reducing fire risk. Over time, however, failing rooflights covered with yellowing sheeting had compromised both the building’s protection and the quality of light within, threatening its continued use as part of the Silk Museum.
With matched grant funding and under tight deadlines, owner Allmand-Smith undertook the mill’s most extensive restoration to date. Led by conservation architect Simon Revill of Cymes Conservation, the project replaced all rooflights, restored the cast iron valley gutter with a new aluminium lining, and carefully removed and reinstated the original Welsh slates laid in diminishing courses.
Twenty-six VELUX Heritage conservation roof windows were selected for their durability, discreet appearance, and compatibility with the historic fabric. Their slim construction height allowed them to sit flush with the slate roof, preserving the mill’s original profile while flooding the attic once again with natural light. Internally, the timber finish and floating structural carpentry respected the original purlins. The windows’ familiar detailing and quick installation (just one hour per unit) made them a practical yet sensitive choice.
Photography: Nick Osborne
Commendation
Trewarveneth Studios, by Rolfe Kentish
VELUX Heritage conservation roof windows played a key role in the conversion of a derelict granite outbuilding into three affordable artists’ studios for the Borlase Smart John Wells Trust in the Cornish town of Newlyn.
It is renowned for the artists’ colony that has been there since the mid-19th century. The outbuildings were previously the latrine, coal store and playground shed of an infant school. This was converted into artists’ studios following its closure in 1961.
The conservation area location required the sensitive use of rooflights and the reuse of as much of the existing building fabric as possible. Ten VELUX Heritage conservation roof windows with single glazing bars were used to bring evenly distributed, diffused light into the new studios. These were set flush in reclaimed Cornish slate roofing, which was wet laid in lime mortar, in diminishing courses as has been traditionally done in West Penwith for centuries. The windows were fitted in combination with a VELUX flashing kit.
Interior linings were kept simple with white-painted fire-resistant plywood following the profile of the insulated timber roof structure, and tucking into the lining grooves in the white-painted frames of the rooflights.
Commendation
Polkirt Hill, by Rowett Architecture
The addition of new VELUX rooflights has transformed the neglected attic of a Grade II-listed 18th-century townhouse in the seaside village of Mevagissey, Cornwall.
Rowett Architecture, based in nearby St Austell, aimed to balance preservation of the historically significant building with modernisation in order to improve the lifespan of the property.
A key move was the introduction of natural light into the previously dark attic, achieved with the installation of discreet VELUX Heritage conservation roof windows. These celebrate the building’s original features by highlighting the character of the prominent, preserved roof timbers in the attic bedroom and bathroom. By illuminating these historic elements, the windows establish a visual dialogue between the old and new, fostering an appreciation of the heritage of the building, suggests the architect.
The practice collaborated with conservation consultants on the introduction of the new windows, which are positioned to be invisible from the street level. The introduction of natural light has not only transformed the attic into a bright, inviting space, but also contributed to the property’s sustainability by reducing reliance on artificial lighting, decreasing energy consumption and promoting a more friendly living environment.
Jury
Deniz Beck
Conservation architect, founder of Deniz Beck Partners and the Sustainable Conservation Trust
Gianni Botsford
Director and head of design at Gianni Botsford Architects
Percy Weston
Architect and co-founder of Surman Weston
Richard Williams
Senior architectural development manager at VELUX
Chris Foges
Contributing editor, RIBAJ (chair)